Day 8 - Getting Aural
Apr. 8th, 2018 01:50 pmPagan Ways filk will need to wait for a bit. I think it'd be a perfect adaptation, but creative gears aren't spinning fast enough just yet. So today was all about singing and aural practice instead.
Recently I taught my Year 4 students all about why string instruments need to be tuned. I did this by getting two of my students to hold a rope between them, tug-of-war style, and then to imagine doing that for three whole days without ever putting it down.
"You can't do it, can you? Neither can a guitar peg."
That then led to a discussion on frequencies - not a very big one since they were glazing a bit by that point - but they did grasp the idea that two notes next to each other still had a lot of room between them, like two stars in the night sky, and any note that falls between them is technically incorrect.
When I sing, 99.9% of the notes I hit are in that grey area - just like every singer in the world except for those autotuned pop-tarts. So a good singer has to be good enough to hear that they're in that grey area - even if they're only just there - and adjust their voices to get as close to the sweet spot as they can. As close to the perfect frequency for the note they're going for. Violin players do the same thing - they're masters at adjusting their fingering slightly even after they've started playing the note to make sure it's in the perfect place, well before any audience pleb has picked up on it.
I usually like singing with a recording behind me, to give me the notes to aim for, but even without the recording I can hear when the notes I'm singing are incorrect. When there's music behind me, I adjust automatically. So today was spent singing without any music, so that I could really hear the incorrect notes.
There were a lot of them. Need to do more of this in the future.
Recently I taught my Year 4 students all about why string instruments need to be tuned. I did this by getting two of my students to hold a rope between them, tug-of-war style, and then to imagine doing that for three whole days without ever putting it down.
"You can't do it, can you? Neither can a guitar peg."
That then led to a discussion on frequencies - not a very big one since they were glazing a bit by that point - but they did grasp the idea that two notes next to each other still had a lot of room between them, like two stars in the night sky, and any note that falls between them is technically incorrect.
When I sing, 99.9% of the notes I hit are in that grey area - just like every singer in the world except for those autotuned pop-tarts. So a good singer has to be good enough to hear that they're in that grey area - even if they're only just there - and adjust their voices to get as close to the sweet spot as they can. As close to the perfect frequency for the note they're going for. Violin players do the same thing - they're masters at adjusting their fingering slightly even after they've started playing the note to make sure it's in the perfect place, well before any audience pleb has picked up on it.
I usually like singing with a recording behind me, to give me the notes to aim for, but even without the recording I can hear when the notes I'm singing are incorrect. When there's music behind me, I adjust automatically. So today was spent singing without any music, so that I could really hear the incorrect notes.
There were a lot of them. Need to do more of this in the future.